Incarnatium, by Druhá Smrt

Incarnatium

by Druhá Smrt

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Full Digital Discography

209

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Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Adoration Of The Lich, Dark Ambient Vol. 24, Seminations Volume VIII, New Gods, Magic Show, corrosion parables, Monolith II, Sons Of An Older Cosmos Blood Rite (Berlin 2016), and 201 more. , and , .

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	1.	The Ground 07:23
	2.	The Event 07:30
	3.	In The Hoor Zone 07:23
	4.	Breakthrough 07:30

about

"...the four pieces on here are made from a warp and weft of luxuriant layers, all of which intertwine in symmetrical and soaring harmony, never once touching the ground but instead inhabiting the clouds and the regions above."
- 1208 North Fuller Ave Apt 1
1208fullerave.blogspot.com/2019/08/druha-smrt-incarnatium.html

This month I am very happy to announce thee eighth release from Druhá Smrt, thee Ritual projekt hailing from thee Czech mountains!

From thee Artist:
"The Incarnatium album begins where/when Occurentium (2015 ev) ends, but not in a linear vein. It's a part of the same temporally topological loop and in this sense it's also an audio reification of our 'Weltanschauung', our manifesto of Druhá Smrt; an intentional Ritual creation transmitted from the magickal current. What can be seen as a mystical point of view of incarnation is in a fact also a phenomenological-existential perspective of in/carnality. The way we once walked is the way we'll henceforth go.

The future casts the sombre light into the darkness of the past, which is, of course, a foreshadow of Now & Here. Eternal return is not a curse, but a free choice, a moment of ultimate decision, a supreme magickal act. What can be seen from one perspective as hell, from another may be the gate of paradise."

SomSon129

credits

released March 23, 2019

All Muziks by Druhá Smrt
Artwork by Lucie
Mastered by P23 (Sombre Soniks Studios)

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Sombre Soniks Kent, UK

Sombre Soniks is a label mainly specializing in Dark Ambient artists and also Projekts of a Ritual or Ethnomuzikologikal nature.

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